ŽENE DADE – JEDNA MOGUĆA IZLOŽBA 15.12. SKC
Prošle i ove godine obeležava se 100 godina umetničkog, antiratnog, avangardnog pokreta dadaizam. Po celom svetu umetnici su izvodili omaže ovom važnom umetničkom pokretu kroz razne vrste performansa, izložbi, edukativnih i interaktivnih događaja. Ipak, upadljivo je da su umetnice, čiji je značaj bio veliki i koje su odigrale veliku ulogu u pokretu DADA, bile nedovoljno zastupljene u pomenutim slavljenjima dadaizma, kao i u pokretu DADA uopšte.
Dadaizam je začet uoči Prvog svetskog rata iz potrebe umetnika da se suprotstave ratu i nasilju. Ova kritična masa kreativnih ljudi kreirala je eksplozivan pokret koji je bio totalna opozicija strukturi i okvirima tadašnjeg društva. Dadaizam kao umetnički pokret posebno nam se obraća danas kada na žalost vidimo toliko sličnosti sa tim vremenom: konflikti širom sveta, izbeglička kriza, zastrašujuće siromaštvo. U današnjoj političkoj klimi, umetnici moraju da nađu način da se kreativno angažuju da bi se suprotstavili sistemima nasilja kao što su mizoginija, ratovi i teror profita.
Jedini program dadaizma bio je da ne postoji nikakav program i upravo je taj smeo stav dao pokretu moć koja se širila u svim pravcima, oslobođena od estetskih i društvenih ograničenja. Sa druge strane moguće je da je upravo odbijanje dadaizma da ima bilo kakav program dovelo do toga da se ovaj pokret nikada nije suočio sa pitanjima kao što je patrijarhat.
Umetnice dadaizma su stvarale zajedno sa svojim kolegama i uspostavile su po prvi put neke umetničke pojmove.
Neophodno je tragati za drugačijim interpretacijama koje će obezbediti celovitiju sliku pokreta DADA i predstavljati tumačenje pokreta baziranu na relevantnijoj istoriji u kojoj su umetnice imale jednako važnu ulogu kao i umetnici.
Dijana Milošević
Režija i koncept: Dijana Milošević
Igraju: Evgenija Eškina Kovačević, Aleksandra Jelić, Ivana Milenović Popović, Ivana Milovanović, Ivan Nikolić
Muzičari: Ljubica Damčević, Uglješa Majdevac
Scenografija: Neša Paripović
Kostim i šminka: Snežana Arnautović i DAH Teatar
„Ready-made“ koferi: Evgenija Eškina Kovačević, Aleksandra Jelić, Ivana Milenović Popović, Ivana Milovanović, Ivan Nikolić
Svetlo: Milomir Dimitrijević
Organizacija i PR: Nataša Novaković
Fotografija: Una Škandro
DAH Teatar se zahvaljuje: Kulturnom centru Beograda, Snežani Arnautović, Kristini Morus, Neši Paripoviću i Širi Vulf
DAH Teatar je nezavisna profesionalna pozorišna laboratorija osnovana u Beogradu 1991. godine sa misijom da, kroz posvećen timski rad, kreira smelu pozorišnu umetnost koja provocira, inspiriše i podstiče ličnu i društvenu transformaciju.
DAH Teatar Centar za pozorišna istraživanja / DAH Theatre Research Centre
Kulturno – umetničko društvo Abrašević, Resavska 76, Beograd, Srbija
+381641794587
+381652618566
www.dahteatarcentar.com
dahteatar@dahteatarcentar.
Last year and this year marks the 100th anniversary of the art, antiwar, avant-garde movement of Dadaism. All over the world, artists have performed this important art movement through various kinds of performances, exhibitions, educational and interactive events. Nevertheless, it is remarkable that the artists, whose significance was great and played a major role in the DADA movement, were not sufficiently represented in the mentioned Dadaism celebrations as well as in the DADA movement in general.
Dadaism began at the eve of the First World War in the need of artists to counter war and violence. This critical mass of creative people created an explosive movement that was a total opposition to the structure and framework of the society at the time. Dadaism as an art movement specially addresses us today when, unfortunately, we see so many similarities with that time: conflicts around the world, refugee crisis, scary poverty. In today’s political climate, artists have to find a way to engage creatively to counteract violence systems such as misogyny, wars, and terrorist profits.
The only Dadaism program was that there was no program, and that was exactly what the disgusting attitude gave the movement a power that spread in all directions, free from aesthetic and social limitations. On the other hand, it is possible that the very rejection of Dadaism that any program has led to this movement has never faced issues such as patriarchy.
Dadaists’ craftsmen worked together with their colleagues and for the first time established some artistic terms.
It is necessary to look for different interpretations that will provide a more complete picture of the DADA movement and represent the interpretation of a movement based on a more relevant history in which artists had an equally important role as artists.
Dijana Milosevic
Director and concept: Dijana Milosevic
They play: Evgenija Eškina Kovačević, Aleksandra Jelić, Ivana Milenović Popović, Ivana Milovanović, Ivan Nikolić
Musicians: Ljubica Damčević, Uglješa Majdevac
Scenery: Neša Paripović
Costume and makeup: Snežana Arnautović and DAH Teatar
„Ready-made“ suitcases: Evgenija Eškina Kovačević, Aleksandra Jelić, Ivana Milenović Popović, Ivana Milovanović, Ivan Nikolić
Light: Milomir Dimitrijević
Organization and PR: Nataša Novaković
Photo: Una Škandro
DAH Theater is grateful to: The Cultural Center of Belgrade, Snežani Arnautović, Kristina Morus, Neši Paripović and Širi Vulf
DAH Teatar is an independent professional theater laboratory established in Belgrade in 1991 with the mission of creating, through dedicated teamwork, an eye-catching art that provokes, inspires and promotes personal and social transformation.
DAH Theater Center for Theater Research / DAH Theater Research Center
Abrašević Cultural and Art Society, Resavska 76, Belgrade, Serbia
+381641794587
+381652618566
www.dahteatarcentar.com
dahteatar@dahteatarcentar.com