[:en]GARAGE FILM 18.12.2017. Dom omladine

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[:en]GARAGE FILM 18.12.2017. Dom omladine
Makedonska 22, Beograd
18.Dec.2017
BeogradSrbija

GARAGE FILM IN DOB: META FILM

MONDAY, DECEMBER 18, 2017 At 05 pm
DOB // CLUB
The ticket price for the program is 100 dinars (valid for both film projections).
The garage film is based on shooting with a small team, small budget, but with unlimited copyright freedom. The garage film shows respect for classical and avant-garde film art, but at the same time constantly reassesses the work of film giants. The garage film is the essence of the film.

05 pm

Projection of the film: CONNECTIONS / VEZE
Director and script: Jelena Markovic
Camera: Zoran Petrovic
Production: Ohne Gepaeck Filmproduktion; ARTE / ZDF, 2003.

Ten years after graduation, director Jelena wants to finally film and graduate. Under the economic pressure of the transition in which she is left without jobs and after her mother’s talk her , Jelena accepted to, like everyone else, find work through personal and family connections. “All these small and big connections are intertwined into one network that makes this small country a one big family.”

07 pm
Talk: META FILM

Meta films are film-related films – about the process of preparing and filming a movie, or the use of pre-existing films of different origin (home movies, television tapes, archival and experimental films). The largest number of garage films produced in Serbia belongs to the meta film.
Participants: Saša Radojević, Milutin Petrović, Jelena Marković

09 pm
Film Projection: Love Case
Directed by: Predator (Danijela Ćeranić, Goran Cvetković, Jelena Antonić, Zorica Svetlićić, Đorđe Cvijanović, Sava Reljin, Aleksa Borković, Petar Mitrović and Mile Krsmanović)
Cast: Lena Penov, Albin Salihovic, Ana Todorovic, Anđelko Beroš, Marina Bukvički, Milan Uzelac, Aleksandar Meda Jovanović, Anđelko Beroš

The first Serbian remake, contemporary version of Dusan Makavejev’s film “Love case or tragedy of Post officer”. The “Love Case” treats current issues in a provocative way, such as refugee, homosexuality or demolition in Savamala. In this sense, the spirit of the original, which also provoked half a century ago, follows.


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