— 19h Izložba: Jon Anderson – Iz najdramatičnije zone stratosfere – izložba Jona Blund Nacije
http://johnanderssonsvarld.blogspot.com/
Jon Anderson vidi stvari koje drugi ne vide. Slike ga preplavljuju. Bez obzira koliko brzo crta, ne može sve da ih sustigne. Jon Anderson je neka vrsta kanala za nezaustavljivu bujicu slika pop kulture XX veka naslikanih u ambijentu dosadne arhitekture predgrađa iz zlatnog perioda švedskog socijalizma. Koliko god te slike bile čudne i prodirale daleko i duboko, koreni njegovih vizija su uvek kod kuće: poslednja stanica južne zelene metro linije, centar jednog Štokholmovog satelita, okružen visokim stambenim zgradama, trgom i nekolicinom radnji – bakalnica, prodavnica duvana, cvećara, frizerski salon, kafić i restoran koji ima dozvolu točenja alkohola. Dom sa spektakularnim pogledom na južna predgrađa, arhitekturu iz 50ih boje lososa, zelene parkove i betonske spomenike. To je jedno magično mesto u kojem se nalazi portal do treće dimenzije. Budućnost nije što je nekad bila, kaže Jon Anderson. Previše je distopijska u poslednje vreme. Nekada je budućnost bila natopljena slatkom nostalgijom.
4PM Comics workshop
7PM Exhibition: John Andersson – From the most dramatic zone of the stratosphere – an exhibition set in Jona Blund Nation.
John Andersson sees things. He is flooded by images. No matter how fast he can draw, there is no way he can catch up. John Andersson is the medium for an unstoppable stream of visions of 20 th century pop culture against a backdrop of dull suburban architecture from the golden era of Swedish socialism. No matter how strange or far or deep the visions go they are always rooted at home: the last stop on the green subway line south, a Stockholm satellite center surrounded by tower blocks, a square and a few shops – groceries, tobacco, flowers, hairdresser, a cafe and a restaurant with alcohol license. A home with a spectacular view over the southern suburbs, salmon colored 50’s architecture, green parks and concrete public art. A magical place with a portal to a third dimension. The future is not what it used to be, says John Andersson. It’s too dystopian these days. Once the future used to be soaked in sweet nostalgia.